Blogging 101 (Reference Guide)

Blogging 101 (Reference Guide)


Summer Sixteen Tour

Drake and Future finished off their second Summer Sixteen show in Atlanta last night, by bringing out hometown favorites Gucci Mane, Young Thug and Usher.

While there may not be a flying stage, Drake and Futures Summer Sixteen tour has been shaping up to be a “can’t miss” showcase of special guests. In Chicago, the pair brought out Kanye West; in Detroit, they brought out Eminem; and in Ohio, the one and only Lebron James. Considering that Atlanta is Future’s home town, its no surprise the city was blessed with two tour dates, and a chance to see four of the cities most popular artists join the stage.

During the first night in Atlanta, Drake and Future started things off with a bang by bringing out Gucci Mane, and 2 Chainz. With the bar set high, fans expected another big night from the What a Time to Be Alive rappers, and they did not disappoint. During the second night of their stop in Atlanta, Drake and Future welcomed Gucci Mane back to the stage, but this time accompanied by Young Thug, and Usher who performed their new single “No Limit”. With some of the cities biggest names all sharing one stage, the crowd could barely keep it together. Check out some of the reactions and videos below.

WOP @laflare1017

A photo posted by champagnepapi (@champagnepapi) on Aug 26, 2016 at 10:14pm PDT


GUWOP HOME! Concert was LIT!

A video posted by Justin Floyd (@justinfloyd) on Aug 27, 2016 at 6:57am PDT

No limit baby! Usher!! Young Thug!! #allsummer16 #summer16tour #summer16 #ATLSHAWTY

A video posted by Jodie (@itsmrsjodie) on Aug 26, 2016 at 7:56pm PDT


URIV got the #summersixteentour🔥 lit on @bryanmichaelcox @jermainedupri jam “Confessions”…

A video posted by Shawn Stovall (@shawn713vip) on Aug 26, 2016 at 8:02pm PDT

With Miami next in the Summer Sixteen schedule, all focus shifts to the sunshine state. Considering Rick Ross’s most recent comments regarding Drake and Meek Mill’s beef, its likely Drake and Future won’t be bringing the big man out, however that shouldn’t effect what’s sure to be another memorable two nights in Miami


Songs Played This Week: 

“Jumpman” – Drake & Future

“Big Rings” – Drake & Future

“Live From the Gutter” – Drake & Future

“Scholarships” – Drake & Future

“Don’t” – Bryson Tiller

“Let Me Explain” – Bryson Tiller

“Goosebumps” – Travis Scott Ft. Kendrick Lamar

“Nikes” – Frank Ocean


Suggested Articles:


The Rap Up: Episode No. 10

After Class: Week 10


(Original article written for RESPECT. Magazine by TJ Mroz – August, 28, 2016)



Your role reaches beyond the studio as a member of the Radio Laurier DJ team. You have the opportunity to contribute to our web content as a blogger. There are a few rules to follow, but at the same time, remember to have fun with it! Treat life good, and it’ll treat you good back.

Things you MUST do:

  • Sort show into correct category (every show now has one) (only 1 category)
  • Set featured image + add image into post (can be the same)
  • Include track list (helpful for those who missed, required by music assistants for charting)
  • Insert show title + something consistent (e.g. Week 09 or Episode 09)
  • PROOFREAD before publishing
  • Add proper tags (only names)
  • Say correct/full name before using nicknames (Meek Mill > Meeky Mouse or Drake > 6God)
  • Post within 24 hours after show airs (website, Facebook, Twitter, etc).


Things you SHOULD do:

  • Bold artist names on first mention
  • Album/mixtape names bold and italicized on first mention; just italicized following
  • Tour names capitalized (Legend of the Fall, HIHORSE’d, Summer Sixteen Tour)
  • Insert links, embed tracks & videos (YouTube, Soundcloud, Apple Music, etc).
  • Add “Suggested Article” section at bottom of post (link fellow RL blog posts)
  • Share your blog on personal social media and tag Radio Laurier


Things you NEVER do:

  • Curse – if you’re quoting inappropriate language from an artist use *** for rest of word (i.e. s***, f***)
  • Slander (if it’s a personal opinion, make that clear)
  • Post inappropriate material or photos
  • Remove credit (i.e. if you cite an article or quote, insert the link)


(Written by Khadijah Plummer & TJ Mroz )

The Great Gambino
Album Reviews

The Great Gambino

Where does one begin when it comes to discussions of Donald Glover? He is an incredibly talented screenwriter, comedian, actor, and musical artist, amongst his dealings in other noteworthy areas. The majority of people would identify him as the actor that played Troy on Community, but he also co-wrote a number of seasons of the television show 30 Rock with Tina Fey. In 2018, he will star as Landon in the next Star Wars film. There is nothing that he can’t do.


The Music

The first mixtapes: I Am Just A Rapper, Cul de Sac, EP

Although they are all very different, these three mixtapes are what put Donald Glover on the map as Childish Gambino. These mixtapes features not one, but two Adele samples, and as well as a full re-work of All of the Lights by Kanye West and Real Estate by Wiz Khalifa. Collectively, these tapes provide listeners with Gambino’s origin story, and how his career as a writer prepared him for a career as a rapper. He affirms the message that being an intellectual should not take away from his ability to succeed in hip-hop. Obviously, he was right.

Studio album #2: Camp

This is the album that brought us the hit single Heartbeat and Bonfire. This is inarguably the most beloved work of Childish Gambino fans, not only as his first studio release, but as something that they could easily listen cover-to-cover. It offers a little bit of everything, including all of the wit expected from a comedian, writer, and actor. Additionally, it encompasses a larger discussion about life, love, and pursuing the Arts.

Mixtape #4: Royalty

One word: bangers. If you’re looking for an unreal mixtape to play at the gym, this is the one for you. It features artists such as Wu-Tang Clan’s Ghostface Killah and Danny Brown, but he also goes in on a track with his younger brother, Steve G. Lover. See what he did there? I do.


Photo Credit: Khadijah Plummer (the deep web tour: toronto; March 30, 2014)

Studio album #2 (and screenplay): Because the Internet

This second album was released in November 2014, and featured his first international tour called the deep web tour. I had the privilege of seeing his first of the two Toronto shows in March of 2015. Gambino experienced mainstream success with singles such as Pink Toes featuring Jhene Aiko as well as the ever-so-catchy 3005. Because the Internet is very complex album and arguably his least accessible. I only say this because the understanding of the overall message is partially embedded in the 70+ page accompanying screenplay (which is very hard to find these days). Luckily, I read it back in 2014. The “rich kid a**hole” that Gambino personifies both in the album and on stage is used to illustrate the collective struggle and problem of the Millennial generation. Due to the creation and perpetual evolution of the Internet, information is easily accessible, but our communication is suffering. Mistakes are forever, and feelings are fake. It is so easy to create a persona through the various social media platforms; we can be whomever we choose to be online. The consequence? Losing your true self in the process.


Mixtape #5: STN MTN/KAUAI

This fun-loving mixtape came out of nowhere in 2015, to bridge the gap of silence that followed after Because the Internet and its accompany deep web tour. Childish released the mixtape for free, because he wanted it to be accessible for everyone; no purchase necessary. STN MTN/KAUAI is a two-part mixtape consisting of 18 tracks. There are a great deal of ad-lib tracks, and noteworthy features and re-works. The track that had the most impact on my listening experience is Gambino’s cover of U Don’t Have to Call by Usher. This cover was further re-worked by Mura Masa and Elhae. It features soulful vocals in the beginning, and then segues into a spoken word by Gambino (and no, I don’t mean rap).

What’s next: Awaken, My Love! 

So far this month, two singles from his upcoming studio album Awaken, My Love! have been released. The album artwork (see feature image) is very eye-catching The tracks are both very soulful, showcasing more of Gambino’s vocal talent that initially emerged through Because the Internet. The tracks are very experimental, which in itself is a Gambino trademark. I find Me and Your Mama to be Pink Floyd-esque in nature, playing out similarly to the track Wish You Were Here on the purely formal level. The second single, Redbone, has a vibe that is reminiscent of Lauryn Hill, primarily in terms of the vocals. The album is set to release on December 2nd of this year. I look forward to listening to and reviewing this album, as it is shaping up to be another breath of fresh air.